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Aileen GavonelBebe Dinosaurios, 2023High temperature ceramicSeries: Espejismoss
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Aileen GavonelInducción, 2023Dyes, sand, frost and shells on canvas118 x 98 cmSeries: Espejismoss
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Aileen GavonelLos Misterios, 2023Dyes, sand and frost on canvas79 x 97 cmSeries: Espejismoss
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Aileen GavonelNadie Corre en el Desierto, 2023Sand, copper, fabric50 x 40 cmSeries: Espejismoss
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Aileen GavonelNaves, 2023Ceramics and high temperature oxides43 x 25 cmSeries: Espejismoss
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Aileen GavonelPlanetario, 2023High temperature ceramicSeries: Espejismoss
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Aileen GavonelPreludio, 2023Dyes, sand, frost and shells on canvas163.5 x 99.5 cmSeries: Espejismoss
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Aileen GavonelTierra Perdida, 2023Sand, copper, fabric40 x 38 cmSeries: Espejismoss
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Aileen GavonelArmas Densas, 2022High-temperature ceramic installation on ashSeries: Fuente Perversa (Perverse Source)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics, glazes and engobesSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics, glazes and engobesSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics and glazeSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics, glazes and engobesSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics, glazes and engobesSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics and glazeSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics and glazeSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics and glazeSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelDurante el Periodo de Completa Oscuridad, 2022Sound installation, Twelve whistling vessels arranged in a circle, like a sundial.Series: Durante el Periodo de Completa Oscuridad (During the Period of Complete Darkness)
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Aileen GavonelEl Ataque de la Chica Cocodrilo (The Crocodile Girl Attack), 2022High-temperature ceramic installationSeries: Fuente Perversa (Perverse Source)
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Aileen GavonelNo Hay Bien Que Por Mal No Venga, 2022Installation of ceramic weapons and clay muralSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelNo Hay Bien Que Por Mal No Venga, 2022Clay mural and ceramic candlesticksSeries: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelÓrganos, 2022High-temperature ceramic installation on ashSeries: Fuente Perversa (Perverse Source)
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Aileen GavonelCrónicas en Tragadero Grande 1, 2020Open-burnt clay beads, fired on canvas dyed with pigments and mineralsSeries: Alhajas Máxima (Máxima Jewellery)
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Aileen GavonelCrónicas en Tragadero Grande 2, 2020Braided Ichu, ceramic plateSeries: Alhajas Máxima (Máxima Jewellery)
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Aileen GavonelAlhajas Máximas, 2019Necklaces made of a series of Hawapi ceramic beadsSeries: Alhajas Máximas
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Aileen GavonelAlhajas Máximas, 2019Necklaces made of a series of Hawapi ceramic beadsSeries: Alhajas Máximas
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Aileen GavonelElementos Extraños, 2019Table of ceramic bottles and tools with minerals from the Museum collectionSeries: Elementos Extraños (Strange Elements)
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Aileen GavonelBrujas, 2018Ceramic tile installation on adobeSeries: Brujas, No Hay Primera Sin Segunda (Witches, There Is No First Without Second)
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Aileen GavonelBrujas, 2018Sand mural, performative act in the form of an incantationSeries: Brujas, No Hay Primera Sin Segunda (Witches, There Is No First Without Second)