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Aileen GavonelBebe Dinosaurios, 2023High temperature ceramicEspejismoss
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Aileen GavonelInducción, 2023Dyes, sand, frost and shells on canvas118 x 98 cmEspejismoss
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Aileen GavonelLos Misterios, 2023Dyes, sand and frost on canvas79 x 97 cmEspejismoss
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Aileen GavonelNadie Corre en el Desierto, 2023Sand, copper, fabric50 x 40 cmEspejismoss
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Aileen GavonelNaves, 2023Ceramics and high temperature oxides43 x 25 cmEspejismoss
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Aileen GavonelPlanetario, 2023High temperature ceramicEspejismoss
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Aileen GavonelPreludio, 2023Dyes, sand, frost and shells on canvas163.5 x 99.5 cmEspejismoss
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Aileen GavonelTierra Perdida, 2023Sand, copper, fabric40 x 38 cmEspejismoss
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Aileen GavonelArmas Densas, 2022High-temperature ceramic installation on ashFuente Perversa (Perverse Source)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics, glazes and engobesNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics, glazes and engobesNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics and glazeNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics, glazes and engobesNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics, glazes and engobesNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics and glazeNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics and glazeNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelArmas Suaves (Soft Weapons), 2022Low-temperature ceramics and glazeNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelDurante el Periodo de Completa Oscuridad, 2022Sound installation, Twelve whistling vessels arranged in a circle, like a sundial.Durante el Periodo de Completa Oscuridad (During the Period of Complete Darkness)
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Aileen GavonelEl Ataque de la Chica Cocodrilo (The Crocodile Girl Attack), 2022High-temperature ceramic installationFuente Perversa (Perverse Source)
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Aileen GavonelNo Hay Bien Que Por Mal No Venga, 2022Installation of ceramic weapons and clay muralNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelNo Hay Bien Que Por Mal No Venga, 2022Clay mural and ceramic candlesticksNo Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
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Aileen GavonelÓrganos, 2022High-temperature ceramic installation on ashFuente Perversa (Perverse Source)
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Aileen GavonelCrónicas en Tragadero Grande 1, 2020Open-burnt clay beads, fired on canvas dyed with pigments and mineralsAlhajas Máxima (Máxima Jewellery)
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Aileen GavonelCrónicas en Tragadero Grande 2, 2020Braided Ichu, ceramic plateAlhajas Máxima (Máxima Jewellery)
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Aileen GavonelAlhajas Máximas, 2019Necklaces made of a series of Hawapi ceramic beadsAlhajas Máximas
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Aileen GavonelAlhajas Máximas, 2019Necklaces made of a series of Hawapi ceramic beadsAlhajas Máximas
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Aileen GavonelElementos Extraños, 2019Table of ceramic bottles and tools with minerals from the Museum collectionElementos Extraños (Strange Elements)
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Aileen GavonelBrujas, 2018Ceramic tile installation on adobeBrujas, No Hay Primera Sin Segunda (Witches, There Is No First Without Second)
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Aileen GavonelBrujas, 2018Sand mural, performative act in the form of an incantationBrujas, No Hay Primera Sin Segunda (Witches, There Is No First Without Second)