© Éder Oliveira.
Oliveira's work could undoubtedly be a monument to the legitimacy of the alternative and marginal.
Éder Oliveira's painting is articulated around two distinct plot lines: the context of violence in the Latin American cultural sphere and the dialectic of the subaltern. We find a visual narrative that conveys with equal clarity the prevailing principles of drama and seduction. We are talking about a painting that bleeds, that warns of the symptoms of human malaise and draws an x-ray of social unrest.
Oliveira's work could undoubtedly be a monument to the legitimacy of the alternative and marginal.
Oliveira's work could undoubtedly be a monument to the legitimacy of the alternative and marginal.